Who hasn’t wondered for a split second what the world would be like if a person who is the object of your affliction ceased to exist? But then you’ve probably never heard of The McMasters Conservatory, dedicated to the consummate execution of the homicidal arts. To gain admission, a student must have an ethical reason for erasing someone who deeply deserves a fate no worse (nor better) than death. The campus of this “Poison Ivy League” college—its location unknown to even those who study there—is where you might find yourself the practice target of a classmate.

Twenty-one-year-old Tanner Quimby needs a place to live. Preferably one where she can continue sitting around in sweatpants and playing video games nineteen hours a day. Since she has no credit or money to speak of, her options are limited, so when an opportunity to work as a live-in caregiver for an elderly woman falls into her lap, she takes it. The two start off their living arrangement happily ignoring each other until Tanner starts to notice things—weird things.

Vera Wong is a lonely little lady of a certain age who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to. Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her shop. In his outstretched hand, a flash drive. After calling the cops like any good citizen, she swipes the flash drive. Why? Because Vera is sure she would do a better job than the police possibly could.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.

In this gripping prequel to the blockbuster best seller and Reese Witherspoon Book Club pick The Last Mrs. Parrish, listeners will discover exactly how Amber Patterson transformed from small-town girl to master manipulator - after all, practice makes perfect.

In the chaotic aftermath of World War II, American college girl Charlie St. Clair is pregnant, unmarried, and on the verge of being thrown out of her very proper family. She's also nursing a desperate hope that her beloved cousin Rose, who disappeared in Nazi-occupied France during the war, might still be alive.

Meteorologist Zoe Parker put Everlasting in her rearview mirror as soon as she had her college degree in hand. But when Sapphire, her eccentric great-aunt, takes a tumble down the stairs in her lighthouse home, Zoe returns to the tiny fishing hamlet to look after her. Zoe has barely crossed the county line when strange things start happening with the weather, and she discovers Sapphire’s fall was no accident. Someone is searching the lighthouse but Sapphire has no idea what they’re looking for.

The village of Badger's Drift is the essence of tranquillity. But when resident and well-loved spinster Miss Simpson takes a stroll in the nearby woods, she stumbles across something she was never meant to see, and there's only one way to keep her quiet. Miss Simpson's death is not suspicious, say the villagers. But Miss Lucy Bellringer refuses to rest: her friend has been murdered. She is sure of it.

He used to be on the bomb squad, but it's not until he transfers out that Chris Mankowski really begins juggling with dynamite. Rape and revenge are just the tip of the iceberg in a twisty tale that brings Detroit's denizens to life - and occasional death - in all their seedy glory. Electrifying, explosive, and unexpected, this is Elmore Leonard at his suspenseful best.

See Jane smile. Thirty-nine-year-old Jane Osborne appears to the world like she has a charmed life. Her daughter attends private school. Jane chairs the PTA. Even her marriage to Dan, the handsome, prominent surgeon, is blissfully happy. Her universe is stable, and her future is fixed...just like that smile. Because it’s all a ruse. Unbeknownst to anyone, after eighteen years of marriage, Dan’s revealed that he’s been living a double life and is in love with a man. But for the sake of his career, Jane must keep that secret, secret.

DI Amy Winter is hoping to follow in the footsteps of her highly respected police officer father. But when a letter arrives from the prison cell of Lillian Grimes, one half of a notorious husband-and-wife serial-killer team, it contains a revelation that will tear her life apart. Responsible for a string of heinous killings decades ago, Lillian is pure evil. A psychopathic murderer. And Amy’s biological mother. Now, she is ready to reveal the location of three of her victims - but only if Amy plays along with her twisted game.

My name is Alphonse Malloy, and I see everything. From a simple glance, I know your hobbies, what you ate for breakfast, how well you slept, and whether or not your wife is secretly seeing the high school biology teacher when you're not around. I can't explain how or why I get these feelings, only that I know they're true. All the little secrets you're too afraid to tell. Sometimes, that means helping people. Other times, it means staring down the barrel of a loaded gun. I wish I could tell you I was using this ability for good.

The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die. Laura hasn’t had it easy: she's survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn't love talking to people worse off than she is. She craves it. But now someone’s on to her - Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger.

FBI agent and former military codebreaker Daniela “Dani” Vega witnesses a murder on a Manhattan sidewalk. The victim is chief of staff for a powerful New York senator. The assassin turned informant is Gustavo Toro. His code: hit the target and don’t ask questions. When Dani suspects a complex conspiracy, the only way to take down the mastermind is from the inside, forcing her to partner with Toro. Together they must infiltrate the inner circle at a remote facility. Except it’s a trap. For all of them.

Three Chicago women have been found strangled, embalmed, and posed as if still alive. Doubting the findings of the local PD’s profiler, the FBI calls on forensic psychologist Zoe Bentley to investigate. Zoe quickly gets off on the wrong foot with her new partner, Special Agent Tatum Gray. Zoe’s a hunter, intense and focused; Tatum’s a smug maverick with little respect for the rules.

Producer Jack Quick knows how to frame a story. So says Curtis Wade, the subject of Jack's new true crime docuseries, convicted of a young woman's murder four years prior. In the eyes of Jack's viewers, flimsy evidence and police bias influenced the final verdict...even though, off screen, Jack himself has his doubts. But when the series finale is wildly successful, a retrial sees Curtis walk free. And then another victim turns up dead.

Secrets and lies can’t stay buried forever in Cedar Valley. In the summer, hikers and campers pack the small Colorado town’s meadows and fields. And in the winter, skiers and snowboarders take over the mountains. Season by season, year after year, time passes, and the lies, like the aspens and evergreens that surround the town, take root and spread deep. Now, someone has uncovered the lies, and it is his murder that continues a chain of events that began almost 40 years ago.

In a riveting debut thriller that has drawn comparisons to masters of the genre like Dennis Lehane and Michael Connelly, Brian Freeman weaves obsession, sex, and revenge into a story that grips the reader with vivid characters and shocking plot twists from the first minute to the last.

Secret Service agent Jo Harper springs into action when the daughter of a murdered ambassador mysteriously goes missing in the mountains of New England. Despite their differences, she enlists local tracker Elijah Cameron to aid her in the search. He suspects the girl doesn't want to be found, but Jo's fears about foul play prove correct when they encounter a killer on the trail.

Ellery Hathaway knows a thing or two about serial killers, but not through her police training. She's an officer in sleepy Woodbury, Massachusetts, where a bicycle theft still makes the newspapers. No one there knows she was once victim number 17 in the grisly story of serial killer Francis Michael Coben. The only victim who lived. When three people disappear from her town in three years, all around her birthday - the day she was kidnapped so long ago - Ellery fears someone knows her secret. Someone very dangerous.

When brokenhearted Georgia Thornton goes looking for romance on reality TV, she has nothing to lose - apart from a good man, a cash prize, and maybe her life.... What was Georgia thinking? Sure, some cad ditched her at the altar, but can she really find love on TV? Her best friend - and producer of the reality show Love or Money - thinks so.

When a local girl falls prey to a sadistic serial killer, Nashville homicide lieutenant Taylor Jackson and her lover, FBI profiler Dr. John Baldwin, find themselves in a joint investigation pursuing a vicious murderer. The Southern Strangler is slaughtering his way through the Southeast, leaving a gruesome memento at each crime scene – the prior victim’s severed hand.

Twenty years ago, ex-beauty queen Didi Storm worked the Vegas strip as a celebrity impersonator. Now, in death, she’s finally getting the publicity she always craved. To the police, it looks like suicide, or a stunt gone wrong. Her estranged daughter, Remmi, knows the answer isn’t so simple. Though dressed in Didi’s clothes and wig, the broken body on the sidewalk isn’t Didi...

Rush hour, London. A packed commuter train is torn apart in a collision. Picking through the carnage, ex-special forces profiler Ziba MacKenzie helps a dying woman who passes on a cryptic message: He did it. You have to tell someone. When a corpse is found bearing the gruesome signature of a serial killer dormant for twenty-five years, Ziba is pulled into the hunt for the perpetrator. As the body count rises it becomes clear he’s on a new spree. But what’s brought the London Lacerator back after such a long hiatus?

Ex-St. Paul cop Rushmore McKenzie has more time, and more money, than he knows what to do with. In fact, when he’s willing to admit it to himself (and he usually isn’t), Mac is downright bored. Until he decides to do a favor for a friend facing a family tragedy: Nine-year-old Stacy Carlson has been diagnosed with leukemia, and the only one with the matching bone marrow that can save her is her older sister, Jamie. Trouble is, Jamie ran away from home years ago.

Producer Jack Quick knows how to frame a story. So says Curtis Wade, the subject of Jack's new true crime docuseries, convicted of a young woman's murder four years prior. In the eyes of Jack's viewers, flimsy evidence and police bias influenced the final verdict...even though, off screen, Jack himself has his doubts. But when the series finale is wildly successful, a retrial sees Curtis walk free. And then another victim turns up dead.

My name’s Ernest Cunningham. I used to be a fan of reading Golden Age murder mysteries, until I found myself with a haphazard career getting stuck in the middle of real-life ones. I’d hoped, this Christmas, that any self-respecting murderer would kick their feet up and take it easy over the holidays. I was wrong.

Adam Turner works the mid-dawn shift at his local radio station. From 12am to 6am, it’s his job to fill the airtime with old songs, inane chatter, and the occasional talkback caller. It’s a long way from his prime-time slot from over a decade ago, when he was a star in the making. Now there’s no producers, no billboards, no stakes, and not many listeners. His frequent callers are drunk students headed home from a night out, or long-range truck drivers. He is completely alone in the studio from midnight until dawn every night. And then one night at 12:45am, he gets a different kind of call.

Every object has a ghost. There is a small yellow backpack - half unzipped, mouth yawning to the pavement, contents strewn around it (a banana, an exercise book, a pair of scissors) - abandoned on a suburban footpath. Ten feet away, the rubber stamp of tyres, resisting clamped brakes, mount the curb and cut across the path. The tracks come to an end at a crippled stop sign. The street, a tree-lined suburban road dappled in late-afternoon sunlight, is calm. But anyone walking past can feel the ghosts: the prickle on the back of their necks that tells them something happened here.

Seven strangers are invited to compete to win a clifftop mansion. The rules are simple: each contestant must have at least one hand in contact with one part of the house at all times. The last one to take their hand off, wins the house.

Vera Wong is a lonely little lady of a certain age who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to. Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her shop. In his outstretched hand, a flash drive. After calling the cops like any good citizen, she swipes the flash drive. Why? Because Vera is sure she would do a better job than the police possibly could.

In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together, they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case.

It’s 1965 and teenage Frances Adams is at an English country fair with her two best friends. But Frances’s night takes a hairpin turn when a fortune-teller makes a bone-chilling prediction: One day, Frances will be murdered. Frances spends a lifetime trying to solve a crime that hasn’t happened yet, compiling dirt on every person who crosses her path in an effort to prevent her own demise. For decades, no one takes Frances seriously, until nearly sixty years later, when Frances is found murdered, like she always said she would be.

Fiona, Sue, and Daisy, three retired ladies who volunteer at the local charity shop, Dogs Need Nice Homes, can’t believe their favorite customer is dead. Eighty-six-year-old Sarah Brown was found murdered in her hallway by her delivery man, a domino clutched in her hand—with a name scratched on it. When another person is found dead with a domino in their hand, and with the police making no progress, the ladies will need to help unmask a serial killer. At least they have Fiona’s scruffy-haired terrier cross to assist them.

Where the Truth Lies is a tour de force of sinister mystery, sly comedy, grand cuisine, and incredible sex - a sensual, sardonic, neo-Dickensian thriller in which a latter-day Alice careens through the seductive Wonderland of New York and Los Angeles in the dark heart of the 1970s. 

Finlay Donovan is killing it...except, she’s really not. The new book she promised her literary agent isn’t written, her ex-husband fired the nanny without telling her, and this morning she had to send her four-year-old to school with hair duct-taped to her head.

Still spinning from the hustle and bustle of city life, Jodie ‘Nosey’ Parker is glad to be back in the Cornish village she calls home. Having quit the Met Police in search of something less dangerous, the change of pace means she can finally start her dream catering company and raise her daughter, Daisy, somewhere safer. But there’s nothing quite like having your first job back at home be catering an ex-boyfriend’s wedding to remind you of just how small your village is.

Billie, Mary Alice, Helen, and Natalie have worked for the Museum, an elite network of assassins, for 40 years. Now their talents are considered old-school and no one appreciates what they have to offer in an age that relies more on technology than people skills.

When Meddelin Chan ends up accidentally killing her blind date, her meddlesome mother calls for her even more meddlesome aunties to help get rid of the body. Unfortunately, a dead body proves to be a lot more challenging to dispose of than one might anticipate, especially when it is inadvertently shipped in a cake cooler to the over-the-top billionaire wedding Meddy, her Ma, and aunties are working at an island resort on the California coastline.

Most of us have done our time in the retail trenches, but service stations are undoubtedly the frontline, as Melburnian David Goodwin found out when he started working the weekend graveyard shift at his local servo. From his very first night shift, David absorbed a consistent level of mind-bending lunacy, encountering everything from giant shoplifting bees and balaclava-clad goons hurling cordial-filled water bombs from the sunroof of their BMW, to anarcho-goths high on MDMA releasing large rats into the store from their matching Harry Potter backpacks.